Generative music model + workstation
AUDIOGEN combines a generative music model with a new interface for making music, rather than treating generation as a standalone prompt box.
AUDIOGEN is a web-based generative music tool for creating and editing songs in the browser, with inpainting, extending, remixing, and stem-level editing.
AUDIOGEN is a web-based generative music product that combines a music model with a new interface for creating and editing songs. The company describes it as a “generative audio workstation” built to make music creation feel more like painting on a timeline, with inpainting, extending, remixing, and multi-track or stem editing as core interactions.
The product sits between research preview and creator tool: the demos page presents generated audio samples across multiple genres and vocal styles, while the about page explains that the team spent 2.5 years building the model and redesigning the workflow around a beginner-friendly browser experience. The available pages do not document integrations, exports, or pricing.
AUDIOGEN combines a generative music model with a new interface for making music, rather than treating generation as a standalone prompt box.
The company says it rebuilt the DAW/timeline experience from first principles into a beginner-friendly web GAW.
The interface is designed around inpainting, extending, remixing, and multi-track or stem editing on the canvas.
The demos page shows several styles and modes, including vocal, instrumental, and “weird mode” examples across genres such as pop, indie folk, techno, and chant.
The about page names three model components: Aphrodite, a neural audio codec; Apollo, a diffusion transformer; and Virgil, a synthetic audio captioner.
The demo page includes audio samples labeled for research and demonstration purposes and notes that some samples reproduce copyrighted material.
A creator can start from a musical idea and use the timeline interface to add, extend, or revise sections without leaving the browser.
A user can work with inpainting and remixing tools to change a passage while preserving the surrounding arrangement.
Someone exploring styles can browse the demos to hear how the system handles different genres, vocal treatments, and instrumental textures.
A researcher or technical reader can use the demo examples to understand how the model stack is presented, including codec and diffusion components.
AUDIOGEN presents itself as a generative music model paired with a web-based generative audio workstation. The site emphasizes creating, inpainting, extending, remixing, and editing multi-track or stem-based music in a timeline interface.
The site describes a beginner-friendly web GAW, so it is designed to work in the browser. The collected pages do not provide setup steps, local installation details, or supported desktop or mobile apps.
The source does not list export formats, file types, or publishing options. It does show demos for both generated music and codec research samples, which suggests the product centers on creation and experimentation rather than documentation of delivery formats.
The source says the team rebuilt the DAW/timeline experience for inpainting, extending, remixing, and multi-track/stem editing. It does not mention collaboration features or team workspaces.
The pricing page currently returns a 404 page, so the available source does not confirm pricing or plan structure.